Castle of the Templars-Convent of Christ of Tomar

The Templar Castle-Convent of Christ was the seat of the Order of the Temple until 1314, and of the Order of Christ from 1357. It includes the octagonal chapel from the late 12th century, the “Charola”, a Romanesque shrine with oriental influences.

 

The site, classified as a UNESCO World Heritage Site since 1983, extends over 54,000m² including 40,000m² of buildings. It still represents today the largest area covered by a monument in Portugal and one of the largest in the world.

 

Three aspects must be taken into account to appreciate this place: the artistic aspect, of which the main door, the “Charola” chapel, the chapter window and the cloister of D. João III are examples of excellence; the functional aspect, since the main use was to house the knightly monks and reclusive monks; and finally, the symbolic aspect, to establish the influence of Portugal throughout the world and at the service of Christ.

 

The castle has three fortified walls, the most important of which is the chapel and the keep. Between the chapel and the fortress some traces of the Muslim occupation are still present.
The original building of the Convent is due to Infant D. Henrique, who, in addition to constituting his court, had the cloister of the washing and the cloister of the cemetery built there. In the 16th century, seven more were added. The architecture here is extremely well documented which confirms that the buildings evolved with the residents: the Templar/rotunda chapel in the Castle is Romanesque; Gothic is present in the cloisters of the time of the Infant D. Henrique; at the beginning of the 16th century, all the exuberance of the Manueline style is displayed through the window of the Chapter; the Renaissance is presented in the extension of the convent of D. João III until the 18th century and finally Mannerism and Baroque are mainly in the cloister of the inn.

Convent of Christ

The chapter window

This is the most symbolic of the five lower windows of the convent church (the 5 Manueline-style windows, as a whole, become more symbolic if we think of the 5 empires).
The profusion of typical Manueline decorative elements and its intense symbolism (discoveries and history of the country) makes it a major reference in Portuguese art.

 

The Templar Chapel: the Charola

It was the oratory of the Order of the Temple in the Castle. It is a compact, cylindrical structure, of oriental influence from the 12th and 12th centuries and probably military to protect the sacred, alluding to the Holy Sepulchre of Jerusalem. Inside, it houses a central octagonal drum with eight pillars, each composed of four openwork columns. At the beginning of the sixteenth century, a wide vault was opened in the chancel, lit by an oculus. Diego de Arruda carried out this work and João de Castilho was in charge of connecting the central choir to the surrounding wall of the Charola through a ring vault. The entrance, a monumental portal and a richly decorated façade are also the work of Castilho.
 

The decoration of the Charola consists of motifs on the drum, paintings on the ring vault, wall paintings on the second level of the drum (representing the instruments of the Passion of Christ by Fernão Anes), eight of the fourteen original paintings on the surrounding wall (by Jorge Afonso), wooden sculptures (representing angels, saints and prophets) and a set representing the Virgin and Saint John by Oliver of Gand.

Contact information

 

Convento de Cristo e Castelo Templário

Convento de Cristo
Igreja do Castelo Templário
2300-000 TOMAR
Tel : +351 249 315 089
www.conventocristo.gov.pt