{"id":18016,"date":"2020-11-30T18:31:37","date_gmt":"2020-11-30T17:31:37","guid":{"rendered":"https:\/\/www.templars-route.eu\/?page_id=18016"},"modified":"2021-06-03T15:58:15","modified_gmt":"2021-06-03T13:58:15","slug":"chateau-des-templiers-tomar","status":"publish","type":"page","link":"https:\/\/www.templars-route.eu\/fr\/chateau-des-templiers-tomar\/","title":{"rendered":"Ch\u00e2teau des Templiers-Couvent du Christ"},"content":{"rendered":"

[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column width=\u00a0\u00bb2\/3″][vc_column_text]Le Ch\u00e2teau de templiers-Couvent du Christ fut le si\u00e8ge de l\u2019Ordre du temple jusqu\u2019en 1314, et de l\u2019ordre du Christ \u00e0 partir de 1357. Il comprend la chapelle octogonale de la fin du 12\u00e8me si\u00e8cle, la \u00ab Charola \u00bb, un sanctuaire roman aux influences orientales.<\/p>\n

 <\/p>\n

Le site class\u00e9 au Patrimoine mondial de l\u2019UNESCO depuis 1983, s\u2019\u00e9tend sur 54 000m\u00b2 dont 40 000m\u00b2 de b\u00e2ti. Il repr\u00e9sente encore aujourd\u2019hui la plus grande surface couverte par un monument au Portugal et l\u2019une des plus grandes au monde.<\/p>\n

 <\/p>\n

Trois aspects doivent \u00eatre pris en compte pour appr\u00e9cier ce lieu : l\u2019aspect artistique, dont la porte principale, la chapelle \u00ab Charola \u00bb, la fen\u00eatre du chapitre et le clo\u00eetre de D. Jo\u00e3o III sont des exemples d\u2019excellence, l\u2019aspect fonctionnel puisque l\u2019usage principale fut d\u2019h\u00e9berger les moines-chevaliers et les moines reclus et enfin, l\u2019aspect symbolique pour assoir l\u2019influence du Portugal \u00e0 travers le monde et au service du Christ.<\/p>\n

 <\/p>\n

Le Ch\u00e2teau a trois murs fortifi\u00e9s dont le plus important est celui de la chapelle et du donjon. Entre la chapelle et la forteresse quelques traces de l\u2019occupation musulmane sont encore pr\u00e9sentes.
\nLe b\u00e2timent initial du Couvent est d\u00fb \u00e0 l\u2019Infant D. Henrique qui, en plus d\u2019y constituer sa cour, fit construire le clo\u00eetre du lavage et le clo\u00eetre du cimeti\u00e8re. Au XVI\u00e8me si\u00e8cle, sept autres furent ajout\u00e9s. L\u2019architecture est ici extr\u00eamement bien document\u00e9e ce qui confirme que les b\u00e2timents ont \u00e9volu\u00e9 avec les r\u00e9sidents : la chapelle templi\u00e8re\/rotonde dans le Ch\u00e2teau est romane ; le gothique est pr\u00e9sent dans les clo\u00eetres du temps de l\u2019Infant D. Henrique ; au d\u00e9but du XVI\u00e8me si\u00e8cle, toute l\u2019exub\u00e9rance du style manu\u00e9lin est d\u00e9ploy\u00e9e via la fen\u00eatre du Chapitre ; la renaissance est pr\u00e9sent\u00e9e dans l\u2019extension du couvent de D. Jo\u00e3o III jusqu\u2019au XVIII\u00e8me si\u00e8cle et enfin le mani\u00e9risme et le baroque sont principalement dans le clo\u00eetre de l\u2019auberge.[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=\u00a0\u00bb1\/3″][vc_gallery interval=\u00a0\u00bb3″ images=\u00a0\u00bb18017,18022″ img_size=\u00a0\u00bblarge\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Consultez la vue 3D de la Charola Templ\u00e1ria \u00e0 Tomar.<\/h3>\n

[\/vc_column_text][vc_empty_space]JE VISITE<\/a>[vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Le Couvent du Christ<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

La fen\u00eatre du chapitre<\/h4>\n

Il s\u2019agit de la plus symbolique des cinq fen\u00eatres inf\u00e9rieure de l\u2019\u00e9glise du couvent (les 5 fen\u00eatres de style manu\u00e9lin, en tant qu\u2019ensemble, deviennent plus symboliques si l\u2019on pense aux 5 empires).
\nLa profusion d\u2019\u00e9l\u00e9ments d\u00e9coratifs typiquement manu\u00e9lin et son intense symbolisme (d\u00e9couvertes et histoire du pays) en fait une r\u00e9f\u00e9rence majeure de l\u2019art portugais.<\/p>\n

 <\/p>\n

La chapelle templi\u00e8re : la Charola<\/h4>\n

C\u2019\u00e9tait l\u2019oratoire de l\u2019ordre du Temple dans le Ch\u00e2teau. C\u2019est une structure compacte, cylindrique, d\u2019influence orientale des XII\u00e8me et XII\u00e8me si\u00e8cle et sans doute militaire pour prot\u00e9ger le sacr\u00e9, faisant allusion au Saint S\u00e9pulcre de J\u00e9rusalem. A l\u2019int\u00e9rieur, elle abrite un tambour octogonal central avec huit piliers, chacun compos\u00e9 de quatre colonnes ajour\u00e9es. Au d\u00e9but du XVI\u00e8me si\u00e8cle, une large vo\u00fbte a \u00e9t\u00e9 ouverte dans le ch\u0153ur, \u00e9clair\u00e9e par un oculus. Diego de Arruda r\u00e9alisa ce travail et Jo\u00e3o de Castilho fut charg\u00e9 de connecter le ch\u0153ur central au mur d\u2019enceinte de la Charola par une vo\u00fbte annulaire. L\u2019entr\u00e9e, un portail monumental et une fa\u00e7ade richement d\u00e9cor\u00e9e sont \u00e9galement l\u2019\u0153uvre de Castilho.<\/p>\n

 <\/p>\n

La d\u00e9coration de la Charola se compose de motifs sur le tambour, de peintures sur la vo\u00fbte annulaire, de peintures murales au deuxi\u00e8me niveau du tambour (repr\u00e9sentants les instruments de la Passion du Christ par Fern\u00e3o Anes), de huit des quatorze tableaux originaux sur le mur d\u2019enceinte (par Jorge Afonso), de sculptures en bois (repr\u00e9sentant des anges, saints et proph\u00e8tes) et d\u2019un ensemble repr\u00e9sentant la Vierge et Saint Jean par Oliver de Gand.<\/p>\n

[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]<\/p>\n

Coordonn\u00e9es<\/h2>\n

 <\/p>\n

Convento de Cristo e Castelo Templ\u00e1rio<\/strong><\/p>\n

Convento de Cristo
\nIgreja do Castelo Templ\u00e1rio
\n2300-000 TOMAR
\nTel : +351 249 315 089
\nwww.conventocristo.gov.pt<\/a>[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_gmaps link=\u00a0\u00bb#E-8_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\u00a0\u00bb][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column width=\u00a0\u00bb2\/3″][vc_column_text]Le Ch\u00e2teau de templiers-Couvent du Christ fut le si\u00e8ge de l\u2019Ordre du temple jusqu\u2019en 1314, et de l\u2019ordre du Christ \u00e0 partir de 1357. Il comprend la chapelle octogonale de la fin du 12\u00e8me si\u00e8cle, la \u00ab…<\/p>\n","protected":false},"author":27,"featured_media":18008,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-18016","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nCh\u00e2teau des Templiers-Couvent du Christ - Route du patrimoine templier - Templars Route European Federation (TREF)<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.templars-route.eu\/fr\/chateau-des-templiers-tomar\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ch\u00e2teau des Templiers-Couvent du Christ - Route du patrimoine templier - Templars Route European Federation (TREF)\" \/>\n<meta property=\"og:description\" content=\"[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column width=\u00a0\u00bb2\/3″][vc_column_text]Le Ch\u00e2teau de templiers-Couvent du Christ fut le si\u00e8ge de l\u2019Ordre du temple jusqu\u2019en 1314, et de l\u2019ordre du Christ \u00e0 partir de 1357. 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